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Scott Detweiler: 

Lighting for Composition (Demonstration Shoot)

Approachable ways to look at lighting that allow one to visualize what the lighting will look like before you take the first shot. This methodology also helps you in reverse engineering lighting you desire in a photo. It’s a great way to understand light, and many have said this is the class that opened their mind to strobes. The subjects covered work with all types of lighting as well as mixing in natural light.  However, we also build on these concepts to work on building a stronger composition through use of light.

In Person Sales - Workflow & Challenges (Lecture)

In this session, I will show you my workflow using in-person sales as well as discuss some of the challenges I face and how I work around them.  I will perform a mock sales session with a few volunteers and work through those situations.

#DEVELOPMOPPA  #DEVELOP2018 



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Scott's Bio

I have been an artist and painter since I was quite young when I worked with pen & ink, marker, and acrylic but have only been a serious photographer for a few years.

Initially, I became interested in Photoshop over a decade ago when it still came on floppy disks. My motivation to actually focus on photography came when I realized that no matter how I modified an image it was never truly mine, mentally or legally. I could paint or manipulate the image for hours or days, and never actually own it.

The decision to start shooting my own stock started me on the journey I am on today. My initial challenges were basically lighting related. I could envision the image I wanted, but getting the lights to cooperate was a constant source of frustration. To get past this I shot as often as possible, and by changing small variables each time I learned how my alterations were affecting my images.

As a Physics major, I enjoy the technical aspects of photography. I like to know my camera settings, angles, focus depth, fall-off, as well as other aspects of the scene that directly affect the result. By understanding how an image will look at 24mm versus 200mm, or when lit by a larger or smaller apparent light source, it becomes easier to make creative decisions.

In our studio we challenge each other to set up complete scenes and take a single photo without test shots. This has greatly improved our abilities to create successful scenes from our imagination, even on location or group shoots where planning isn't much of an option. We are always learning and trying new ideas.

Our challenges now lie in finding dependable muses, unique designers, and amazing stylists that can work in a collaboration. I am quite blessed with a bevy of such individuals here in the Milwaukee area, where we can additionally pull talent from Green Bay, Madison, and Chicago when needed.

Most of my work is now commercial photography and retouching as well as shooting fashion. I do corporate headshots as well as catalog and magazine work, but love the occasional commission for something much more artistic.

Teaching others is something I enjoy doing via workshops, speaking engagements, or traveling to shoots as often as possible. I also do themed shoots, workshops on lighting, posing, and post-production seminars that are open to the public at my studio near Milwaukee, WI.

I love passing on my knowledge to those who are now facing similar frustrations with the technical aspects of this awesome artistic outlet.




We would like to thank the following sponsor(s) for helping bring Scott's Knowledge to MOPPA

  

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